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Night Melody / Articulation

by Rival Consoles

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Tyler Quiring
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Tyler Quiring This is an outstanding double EP. An exquisite exploration of complexity through amelodical polyrhythms, contrasting textures, and evolving structures. Johannesburg made me cry. Favorite track: Johannesburg.
Groundzeroken
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Groundzeroken An album mixing sorrow and joy with the realities of life- now a convinced River Consoles fan- love the originality of each track; look forward to more for sure. Favorite track: Pattern Of The North.
Tim Heiler
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Tim Heiler Jittery, pulsing, vibrating, harmonic, euphoric, virtuous, real. Favorite track: Sudden Awareness Of Now.
0x7e
0x7e thumbnail
0x7e I honestly can't describe how much I love this album, absolutely incredible! Certainly the best $15 I ever spent!
nawabkobachi
nawabkobachi thumbnail
nawabkobachi Saw Rival Consoles on Sunday night at a live gig, brought this album the following morning. Incredible live show, outstanding album. Looking forward to the new one.
Elias Hardt
Elias Hardt thumbnail
Elias Hardt If you like Nils Frahm's more electronic forays, you'll love Rival Consoles. Incredibly progressive electronic. Favorite track: Articulation.
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1.
2.
Johannesburg 07:22
3.
Slow Song 03:52
4.
Lone 05:55
5.
Night Melody 05:22
6.
What Sorrow 05:22
7.
8.
Forwardism 05:41
9.
Melodica 03:39
10.
Articulation 06:30
11.
Still Here 04:24
12.
13.

about

Some of London-based electronic songwriter Ryan Lee West’s most recognised work to date comes in the shape of spontaneous EP or so-called mini album releases— clocking in just under the 40-minute mark, keeping their contents urgent, immediate and to the point.

As with his 2013 EP Odyssey and 2014’s Sonne, which were later compiled to a full-length release titled Odyssey / Sonne in 2015, there is a similarly strong synergy between his 2016 mini album Night Melody and this year’s Articulation — made available on CD and digital formats under the title Night Melody / Articulation.

His 34-minute, 6-track mini album Night Melody was born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

The opening statement Pattern Of The North starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by Johannesburg, an early sketch gradually filled out during his tour in South Africa. The closing statement What Sorrow is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

July 31, 2020 saw the release of his highly anticipated new album Articulation with an equal running time of 34 minutes. Lead track and album centrepiece ‘Articulation’ links the record back to the analogue fluidity and colour of 2016’s Night Melody. The division of varying time signatures, intertwined with a complex structure of notes, creates an expression of a moving structure and conjures a dreamy, motorik energy.

Articulation was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it.

The idea of using analogue drawings and tools to bolster digital creations can be heard in the structure of the pieces that make up Articulation from the broody techno opener ‘Vibrations on a String’ all the way to the album’s boundless closer ‘Sudden Awareness of Now’. Rising out of birdsong heard from his studio window, it has a particular urgency about it and seems to perfectly capture a longing for escape. Built around a simple and repetitive melodic theme, expanding and retracting over the course of its seven-minute odyssey.

credits

released November 24, 2020

All music written, performed and mixed by Ryan Lee West
P&C Erased Tapes Records Ltd.
Published by Erased Tapes Music Publishing Ltd.
Mastered by Zino Mikorey
Lacquer cut by Barry Grint at Alchemy
Design by Robert Raths
Night Melody's shape created by Shaz Madani

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Rival Consoles London, UK

London-based producer Ryan Lee West, better known under the name Rival Consoles, is notable for making synthesisers sound human and atmospheric.

It’s rarely reported that Rival Consoles was Erased Tapes’ very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label in 2007.
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